Mr. Burns

Black and white line art drawing of Bart Simpson, a famous cartoon character. The art is chaotic, reflecting traces of memory.

When love first falls upon his knee, his mother heals him with a kiss. And this is how love comes to learn, hurt is succeeded by a bliss. But hate knows that every single wound leaves a scary that lasts forever. And hate knows that every story ends on a dark and raging river. 

REVIEWS

The play is given extraordinary life by director and choreographer Madelyn Osborne, musical director Katerina Gimon and a ridiculously talented cast in one of the best productions of the year… What a pleasure to watch this cast in action. The ensemble work is uniformly strong… Multi-instrumentalist McGillivray has a lovely voice, as do they all. Their singing, rapping and dancing, physical and vocal percussion and background harmonies give the Simpsons story new vibrancy.

– Jerry Wasserman, The Vancouver Sun

I feel like I was kidnapped and taken to surprising places, places that I hadn’t known I wanted to go… Musical director Katerina Gimon has created a complex original score for this mounting and this seven member cast sings it very well… Gimon exploits the talents of individual actors, so CJ McGillivray gets a touching ukulele solo as Lisa and Matt Montgomery turns into a tap-dancing feline rhythm king as Scratchy.

– Colin Thomas

The ultimate payoff is incredible and will set minds reeling for days to come. It is the type of work that merits multiple viewings to better appreciate the layers of nuance and foreshadowing that are inevitably missed the first time.

– Brian Paterson, Vancouver Presents