Iron to Rust focuses on the complicated friendship between Sophie and Tucker. His cynical depression and her sympathetic intentions explode and threaten the fate of their relationship altogether. Full of brutal honesty and raw emotion, this character study exposes an unhealthy relationship at its wit’s end.
Evan Anderson as Tucker Jake and Allyson Fournier as Sophie Morrison
Direction and cinematography by Paul Human, screenplay and casting by Allyson Fournier and production design by CJ McGillivray
The monochromatic, minimalist production design reflects the muted emotions of the main character, a trouble college student who is struggling with severe depression and disconnection from his life. His apartment is perpetually unmade, unsettled and dishevelled. The following is a series of set photographs which capture the production design by CJ McGillivray:
Photos by Allyson Fournier
A vulnerable teenager must confront her traumatic past when she meets a troubled musician with nothing left to lose. The pair end up in the same psychiatric care facility where they share an intimate connection that goes beyond words and can only be expressed through music. Ben was produced by Craft Productions and shot on location at Capilano University in March 2015.
Kat Jansen, Aaron Post, Corina Bizim, Michael Yeung, Olivia Sara Grace, Joel Montgrand, Gavin Langelo and Audrey Smallman
Directed by Allyson Fournier with original music and production design by CJ McGillivray, cinematography by Paul Human, costume design by Michelle Grossmith and fight coordination by Ryan McNeill Bolton and Mike Kovac; produced by J. Edward Davis and Allyson Fournier; co-produced by Max Morrow with executive producer Nathalie Perreault.
Ben received an audience choice award for best picture in the Northwest is Best category at the 2016 National Film Festival for Talented Youth (NFFTY) in Seattle, Washington.
Here is a selection of production stills from Ben featuring production design by CJ McGillivray:
The film was shot on location at Capilano University, including a series of bedroom scenes in a psychiatric facility, which were shot in converted classrooms. Flashback scenes were shot in an apartment set located in the Bosa Centre for Film and Animation:
The resolving action and indeed much of the present day conflict was filmed in the library building at Capilano University, converted into a psychiatric facility activity room. The design incorporated an upright piano as the focal point of the narrative and of the physical space:
The production design for Ben incorporated six major settings shot in four primary shooting locations over the course of three and a half days. The set decorations, paint supplies, instrumental rentals and props were sourced with a modest budget of $350. The design was implemented with a five person crew led by CJ McGillivray with the support of art direction from Sarah Jane Fogel and set decoration by Natalie Murao, Ben Pilger and Mary Webber.
Henchmen is a short comedic film that takes place in a world where super heroes and villains are commonplace. But the stereotypes of the genre are turned upside down by focusing on two nobody henchmen as the main characters. Hank and Dom are tasked with the simple job of guarding the elevator to an evil lair. They debate their roles in life, whether or not they are treated fairly by heroes and villains alike, and whether or not there is still any honour in being bad.
As the art director, CJ McGillivray assisted production designer Austin Wrinch by providing graphic designs for the all of the villainous signage in the protected lair as well as the heroic emblem for Captain Apollo. In the early days of preproduction, CJ McGillivray was also the casting director for Henchmen.
Aaron Post as Hank and Matthew Janzen as Dom alongside Gavin Langelo as Captain Apollo, Joel D. Montgrand as Adolf Judas and John Hannah as the Scientist.
Directed by Aaron Dawson and produced by Aidan MacAulay with cinematography by Gary Chutai, production design by Austin Wrinch, art direction and casting by CJ McGillivray, music by Philip Derochie, costume design by Layne Beck and editing by Nikola Tanaskovic.